Writings / Scholarship: Jendele Hungbo

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Endnotes

[i]Exile has a multigeneric application in postcolonial literature as almost all aspects of this literature deals with the concept one way or the other.

[ii]The language debate, a very complex and expansive issue in African literature, has been tackled by numerous scholars like Achebe (1975), Ricard (2004) and Soyinka (1988). It will be limited to a mention here in view of the scope of this paper.

[iii] Cited in Rowland Smith (1976)

[iv] Olney’s argument can be found in his Tell Me Africa: An Introduction to African Literature Princeton: Princeton University Press, 1973, p17)

[v] Forsdyke’s typology of exile includes political, religious, judicial and economic exile.

[vi]

[vii] Aso Rock is the name for Nigeria’s presidential villa located in the country’s capital, Abuja


REFERENCES

Achebe, C. (2000) Home and Exile New York: Oxford University Press.

_____________ (1975) Morning Yet on Creation Day New York: Anchor Press.

Anyidoho, K. ed. (1997) The Word Behind Bars and the Paradox of Exile. Evanston:         Northwest University Press.

Chabal, P. ed. (1996) The Postcolonial Literature of Lusophone Africa. Johannesburg:        Witwatersrand University Press.

De Courtivron, I. (2007). “The Incomplete Return” Life Writing 4: 1, pp.31-39

Forsdyke, S. (2005) Exile, Ostracism, and Democracy Princeton: Princeton University     Press.

Hoffman, A. (1991) Between Exile and Return: S. Y. Agnon and the Drama of Writing.       New York: State University of New York Press.

Jeyifo, B. (2004) Wole Soyinka: Politics, Poetics and Postcolonialism. Cambiridge:            Cambridge University Press.

Maduakor, O. (1987) Wole Soyinka: An Introduction to His Writing. New York:    Garland Publishing Inc.

Maja-Pearce, A. (2007) “Kongi and Temporal Power: A Review of Wole Soyinka’s You   Must Set Forth at Dawn” The New Gong Magazine             www.thenewgong.com./Soyinka.html accessed 25/11/07

____________. (1991) Who’s Afraid of Wole Soyinka? Ibadan: Heinemann.

Medalie, D. (2004) “The Widowhood of the Self: Vita Sackville-West’s All Passion           SpentThe English Academy Review 21, pp.12-21

Mugo, M. (1997) “Exile and Creativity: A Prolonged Writer’s Block” In: Anyidoho, K.    ed. The Word behind Bars and the Paradox of Exile Illinois: Northwestern University Press, pp.80-99

Nwoga, I. (1976) “The Limitations of Universal Critical Criteria” In: Smith, R. ed. Exile    and Tradition: Studies in African and Caribbean Literature New York: African Publishing Company, pp.8-30

Obazie, O. (2007) “Book review: You Must Set Forth at Dawn” Kwenu.com Book Review           Forum www.kwenu.com accessed 20/11/07

Obee, R. (1999) Es’kia Mphahlele: Themes of Alienation and Humanism Ohio: Ohio         University Press.

Oguibe, O. (2006) “Exile and the Creative Imagination” Chimurenga 6,  pp.22-27

Olney, J. (1980) “Autobiography and the Cultural Moment: A Thematic, Historical, and Bibliographical Introduction” In: Olney, J. ed. Autobiography: Essays             Theoretical and Critical New Jersey: Princeton University Press, pp.3-27

Pavel, T. (1998) “Exile as Romance and as Tragedy” In: Susan Suleman ed. Exile and         Creativity: Signposts, Travelers, Outsiders, Backward Glances. Durham:          Duke   University Press, pp.25-36

Ricard, A. (2004) The Languages and Literatures of Africa: The Sands of Babel Oxford:   James Currey.

Rush, N. (2006) “Exile’s Return” New York Times (Sunday Book Review) April 23,         http://www.nytimes.com/2006/book/review/23rush.html accessed 16/6/2007

Said, E. (2001) Reflections on Exile and Other Literary and Cultural Essays London:          Granta Books.

Smith, R. (1976) ed. Exile and Tradition: Studies in African and Caribbean Literature.       New York: African Publishing Company.

Soyinka, W. (1988) Art, Dialogue and Outrage. Ibadan: New Horn Press.

_________. (1996) The Open Sore of a Continent: A Personal Narrative of the Nigerian   Crisis. New York: Oxford University Press.

_________. (2006) You Must Set Forth at Dawn. New York: Random House.

Suleiman, S. ed. (1998) Exile and Creativity: Signposts, Travelers, Outsiders,         Backward Glances. Durham: Duke University Press.

Upstone, S. (2006) “The Fulcrum of Instability: Salman Rushdie’s The Ground Beneath   Her Feet and the Postcolonial Traveller” Wasafiri 21: 1, pp.34-38

Weeks, D. and James, J. (1995) Eccentrics. London: Weidenfeld and Nicolson.

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