{"id":4669,"date":"2021-12-09T00:21:18","date_gmt":"2021-12-09T00:21:18","guid":{"rendered":"https:\/\/www.mtls.ca\/issue28\/?p=4669"},"modified":"2026-01-19T00:02:15","modified_gmt":"2026-01-19T00:02:15","slug":"george-elliott-clarke","status":"publish","type":"post","link":"https:\/\/www.mtls.ca\/issue28\/george-elliott-clarke\/","title":{"rendered":"George Elliott Clarke"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h3>April 16, 1977 (Viewed from April 16, 2022)<\/h3>\n<p>Night was Vanta-black as Manischewitz voluptuous purple\u2014<br \/>\nserving as minor-fine, adolescent contraband\u2014<br \/>\nsqualled and squandered,<br \/>\nthundered and bolted\u2014<br \/>\nunbottling two thirsts, our throats;<br \/>\nwhile her hair was gold varnished platinum<br \/>\ndue to the streetlamp gleam wafting across the harbour strand<br \/>\nto where we were stranded on a blanket,<br \/>\nour morals tarnished by a tape player crooning<br \/>\nSpringsteen\u2019s sultry, \u201cNew York City Serenade\u201d;<br \/>\nand her hair\u2014each gold-silver strand\u2014<br \/>\nglinted like the stars tinting the beach sand,<br \/>\nwhere our marooned selves edged<br \/>\nlonesome toward pseudo-marital Coupling\u2014<br \/>\nthe sabotage of morals for the sake of warmth\u2014<br \/>\neach of us conducting a marronage<br \/>\nthat\u2019d allow each pelvis to rampage, savage,<br \/>\nnot-at-all under-age<br \/>\nas we\u2019d discover is true for all lovers\u2026.<\/p>\n<p>The incoming tide was a bassoon\u2014<br \/>\nsounding our bass needs:<br \/>\nTo moan, to groan\u2014<br \/>\nlike forlorn foghorns,<br \/>\nwarning us,<\/p>\n<p>\u201cNo longer lie alone!<br \/>\nGo on! Go on!\u201d<\/p>\n<p>Verses Adapted from Sor Juana de la Cruz<\/p>\n<h3>71: Para cantar a la m\u00fasica de un tono y baile regional\u2026.<\/h3>\n<p>Upon Lisa\u2019s silk, white-gowned front,<br \/>\nLove has scrawled a protruding line\u2014<br \/>\nA love ballad saga pregnant<br \/>\nWith Virginity\u2019s curved decline.<\/p>\n<p>Her tan recedes as her wardrobe<br \/>\nExpands with ivory this and that<br \/>\nTo dress with white the half a globe<br \/>\nWhose state belies her virgin stat.<\/p>\n<p>(Without protection is her state\u2014<br \/>\nA certain condition a man<br \/>\nPrevents if he be celibate,<br \/>\nPolicing lusts before they spawn.)<\/p>\n<p>Now, white is Lisa\u2019s Purity\u2014<br \/>\nAn alabaster Camouflage\u2014<br \/>\nA tale that ends with Security:<br \/>\nThe newborn\u2019s a virgin Mirage.<\/p>\n<h3>50: En que responde la poetisa \u2026 al conde de la Granja<\/h3>\n<p>That devil plays incognito<br \/>\nwho drafts a fiendish poem\u2014<br \/>\nquatrains inked blackest negro,<br \/>\nto craft Hell as \u201cHome, Sweet Home\u201d;<br \/>\nso indelibly indigo,<br \/>\nlaughably hyperbolic, diabolical chrome.<\/p>\n<p>Arrogantly seductive?<br \/>\nDefence against the lewd<br \/>\nsuggestion\u2019s unproductive,<br \/>\ncos \u201cpretentious\u201d is the \u201cprude.\u201d<br \/>\nThe Clamour hammering ears is conductive<br \/>\nto l\u2019amour wherein four thighs get glued.<\/p>\n<p>So cunning\u2019s the quartet<br \/>\ncoupled in unscrupulous Glee\u2014<br \/>\nof fucking none forget\u2014<br \/>\nSucculence tucked twixt each knee<br \/>\nfeminine, where the jocund male may jet<br \/>\ncream conducting Fecundity.<\/p>\n<p>What is the Attraction<br \/>\nthat pulls the sexes to join<br \/>\nbeyond any Distraction,<br \/>\nto grind groin into groin?<br \/>\nIt must be Satisfaction<br \/>\nof Sin\u2019s debts via each newborn\u2019s coin.<\/p>\n<h3>19: Puro amor\u2026.<\/h3>\n<p>Attracted to a pencil\u2014<br \/>\n(as I\u2019m separated<br \/>\nfrom ink\u2019s utensil)\u2014<br \/>\nI\u2019ll see this page placated<\/p>\n<p>by grisaille strokes and streaks<br \/>\neven if \u201cgross Disgrace\u201d<br \/>\nmay seem my lead-shade peaks,<br \/>\ncurves, and furrows that place<\/p>\n<p>dull letters ambitiously\u2014<br \/>\nat appreciable Risk\u2014<br \/>\non sheets where, religiously,<br \/>\nlyrics fade to feints arabesque.<\/p>\n<p>This writing lands feathery<br \/>\non vellum that\u2019s arid.<br \/>\nInk is tough, leathery,<br \/>\nbut pencil\u2019d script falls flaccid.<\/p>\n<p>And yet I must protest\u2014<br \/>\nin black words\u2014holocausts,<br \/>\nsplitting wide each struck breast,<br \/>\nturning lovers into ghosts\u2014<\/p>\n<p>shades shorn of all lustre\u2014<br \/>\nturned fog-dull or cloudy ash,<br \/>\nwhose brightness is now bluster\u2014<br \/>\nlike lightning\u2019s gloom-struck flash.<\/p>\n<p>The purest love needs ink?<br \/>\nWell, I pencil sharp Truth,<br \/>\nlest Love be lost at brink,<br \/>\nwhere ink fades fast to Ruth.<\/p>\n<h3>For Guy Mizrahi<\/h3>\n<p>Either as angel or as vampire,<br \/>\nthe poet procures wings.<\/p>\n<p>How else to enable<br \/>\nthe fellowship of flighty horses?<\/p>\n<p>To spur on the animal\u2019s<br \/>\nunfinished evolution?<\/p>\n<p>To be workhorse, then warhorse,<br \/>\nthen Pegasus.<\/p>\n<p>\u201cTrancelating\u201d the Verses of Agnes Fong (Lucero)<\/p>\n<h3>(pace Agnes Fong)<\/h3>\n<h3>XI.<\/h3>\n<p>Love\u2019s muscle? The heart:<br \/>\nPure conglomerations of stone\u2014<br \/>\nso many minerals pulverized,<br \/>\nmarbled,<br \/>\ninto a volcanically forged mass\u2026.<\/p>\n<p>Or is that muscle my manhood\u2014<br \/>\nlivid\u2014<br \/>\nliver-coloured as the heart\u2014<br \/>\nor the shade of once-fresh-fallen leaves<br \/>\ngone gangrene\u2014<br \/>\nsecretly black where earth<br \/>\nhas bitten?<\/p>\n<p>No matter how iron-like is my manhood\u2014<br \/>\nthat spade\u2014<br \/>\nit is decapitated giddily<br \/>\nwhen Coitus-justified<br \/>\n(so snugly, smugly fit for that endeavour),<br \/>\nso my vocabulary degenerates<br \/>\nto grunts and moans,<br \/>\nso unlike the swishy speechlessness<br \/>\nof Ralph Gustafson whisking the leaves<br \/>\nfrom his North Hatley (QC) porch,<br \/>\nyet ogling the azure beauty<br \/>\nof his Betty\u2019s eyes\u2014<br \/>\nan inheritance from the Alhambra\u2019s grottos\u2026.<\/p>\n<p>They say that orgasm is kin<br \/>\nto abrogated Death\u2014<br \/>\nor to Death, abrogating;<br \/>\nthat we thus disembark\u2014<br \/>\neven as we park\u2014<br \/>\nin the midst of a maelstrom<br \/>\nthat liquidates language\u2014<br \/>\nso that we\u2019re swallowed up in that storm\u2014<br \/>\nsunk down fathomlessly,<br \/>\nif not abysmally\u2026.<\/p>\n<p>Still, I wager that my body\u2019s not merely<br \/>\na meaty penitentiary,<br \/>\nnor any woman a widow<br \/>\n(perfumed merchandise),<br \/>\nso long as the marbled heart<br \/>\nnever dilutes its magma,<br \/>\nnor my iron-hard manhood<br \/>\never delete its molten core,<\/p>\n<p>and never morgued is our nakedness<br \/>\n(always plain is our nakedness)\u2014<br \/>\nour eyes open, our mouths ajar\u2014<\/p>\n<p>even as Gustafson clears away the dreary leaves<br \/>\nbesetting his porch,<br \/>\nthen fires off words hitting paper<br \/>\nas jetting, jetty lava,<br \/>\nso Betty strips off widows\u2019 weeds<br \/>\nto lounge\u2014<br \/>\nsuch virgin, GILF snow,<br \/>\nin her husband\u2019s epithalamium\u2014<br \/>\nherself eternally beautiful,<\/p>\n<p>so my eyes peel away,<br \/>\ntearing\u2026.<\/p>\n<p>[23 novembre mmxxi]<\/p>\n<h3>XLV<\/h3>\n<p>Like a tiger\u2019s avocado eyes\u2014<br \/>\nlike the penumbra of a lime\u2014<br \/>\nlike the sombrero of an olive\u2014<br \/>\nlike a cigarillo gone gangrene\u2014<br \/>\nlike stippled drops of absinthe<br \/>\n(that character a bar counter)\u2014<br \/>\nlike Othello, green-eyed demon<br \/>\nfacing off against green-sleeved Mona\u2014<br \/>\nlike the Quietude depicted by Van Gogh\u2014<br \/>\nlike the trembling balance of green grapes<br \/>\ngone Native in retsina<br \/>\nor in vinho verde.<\/p>\n<p>[22 \/ 1 \/ 22]<br \/>\nApr\u00e8s Dennis Hunkler and Gregory Stasiak:<\/p>\n<p>The volcanic gutsiness of the horse forcing hooves to bear your eyes along this line<br \/>\ncollapses your suspended Belief,<br \/>\nand the torment of stopping short<br \/>\nshivers your eyeballs\u2014<br \/>\nin elegant Turbulence:<br \/>\nthe partition between you and the stallion<br \/>\nis quicksand&#8230;<\/p>\n<p>Difficult brightness is that page Gregory and Dennis shadow!<\/p>\n<p>&#8220;Riders on the Storm,&#8221; not at all cunctatorial,<br \/>\nin their Canuck tweed,<br \/>\nthey tease eye and ear<br \/>\nlike a tsetse fly,<br \/>\nas their black words<br \/>\nget whited out\u2014<br \/>\njust as lightning<br \/>\nobscures storm clouds via resonant brilliance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; April 16, 1977 (Viewed from April 16, 2022) Night was Vanta-black as Manischewitz voluptuous purple\u2014 serving as minor-fine, adolescent contraband\u2014 squalled and squandered, thundered and bolted\u2014 unbottling two thirsts, our throats; while her hair was gold varnished platinum due to the streetlamp gleam wafting across the harbour strand to where we were stranded on a blanket, our morals tarnished&hellip;<\/p>\n","protected":false},"author":3,"featured_media":5187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-4669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/posts\/4669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/comments?post=4669"}],"version-history":[{"count":47,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/posts\/4669\/revisions"}],"predecessor-version":[{"id":5332,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/posts\/4669\/revisions\/5332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/media\/5187"}],"wp:attachment":[{"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/media?parent=4669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/categories?post=4669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mtls.ca\/issue28\/wp-json\/wp\/v2\/tags?post=4669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}