{"id":78,"date":"2015-09-25T03:01:26","date_gmt":"2015-09-25T03:01:26","guid":{"rendered":"https:\/\/www.mtls.ca\/staging\/?p=78"},"modified":"2021-11-26T10:26:20","modified_gmt":"2021-11-26T10:26:20","slug":"n-lema-lubendo","status":"publish","type":"post","link":"https:\/\/www.mtls.ca\/issue25\/n-lema-lubendo\/","title":{"rendered":"N Lema Lubendo"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h3><strong>Whats for Dinner?&nbsp;&nbsp;<\/strong><\/h3>\n<p>We used to ask \u201cwhat\u2019s for dinner\u201d<br \/>\nlike we were investigating a homicide.<br \/>\nMama\u2019s alibi was \u201cI\u2019m too tired\u201d.<br \/>\nThe fridge confessed of empty shelves.<br \/>\nThe air smelt of two-day old hunger.<\/p>\n<p>I was six when I learned to interrogate my stomach.<br \/>\nIt would growl as I\u2019d torture it for answers.<br \/>\nPromised that it had no relief to give me,<br \/>\njust a bag of acid worth survival<\/p>\n<p>for now. I\u2019ll eat leftovers of my resolve.<br \/>\nPain is what you eat<br \/>\nafter the world leaves you for dead.<\/p>\n<h3><strong>Lost in Translation<\/strong><\/h3>\n<p>Perhaps, survival is its own kind of death.<br \/>\nLike a silence that strangles the spirit.<br \/>\nLike a double-edged salvation,<br \/>\nfor which, one relinquishes the world<br \/>\nor at the very least, their continuity.<br \/>\nAt the price of our forebearers, we lived.<br \/>\nForgot who it was that gave us our names.<br \/>\nForgot that the river of blood we outswam predated the horror of our yesterdays,<br \/>\nand became<br \/>\nuntethered.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Miracle<\/strong><\/h3>\n<p>Up until I was eight, my father was dead.<br \/>\nIn my mind, he had endured the fate of prophets.<br \/>\nMama always said he was alive, but so too was Jesus.<br \/>\nI thought of Africa the same way I thought of heaven:<br \/>\na beautiful place for people too holy to be alive.<br \/>\n\u201c<em>Notre P\u00e8re qui es aux cieux<\/em>\u201d was the beginning of a eulogy,<br \/>\nthe Lord\u2019s Prayer was a letter to the continent.<\/p>\n<p>My father\u2019s resurrection disappointed.<br \/>\nHe passed under the \u2018Arrivals\u2019 sign without a smile \u2013<br \/>\nhis face ominously stoic like a man staring down a firing squad.<br \/>\nI had prayed for a father, and though I now had one,<br \/>\nI felt forsaken.<br \/>\nAfter greeting mama with a musicality<br \/>\nthat proved he too had seen other dimensions,<br \/>\nhe nodded towards us, his children.<\/p>\n<p>I do not remember what I said \u2013 perhaps nothing.<br \/>\nBut I remember seeing a stranger,<br \/>\nwhere my brothers vaguely recognized their father.<br \/>\nI remember realizing, although only for a second,<br \/>\nwhat it meant to have been born displaced<br \/>\nfrom that world mama so proudly claimed.<br \/>\nI was the foreigner.<\/p>\n<h3><strong>The River that Swallows all Rivers<\/strong><\/h3>\n<p>My mother calls me Canadian as if I stole something from her.<br \/>\nShe used to speak about Mobutu and Kabila like they orchestrated the theft.<br \/>\nIf listened to carefully, you would hear an elegy about the worlds we once knew.<br \/>\nOne that explained how birthrights could be stolen.<br \/>\nHow acronyms, radio-waves, noses, and tongues could be weaponized.<br \/>\nHow cities could fall, and homes could be left vacant after nights of premonitions and prayer.<\/p>\n<p><em>La Guerre a pris tout sauf Dieu.<\/em><\/p>\n<p>1994, 96, and 98 always meant more to Mama than the birth of her youngest sons.<br \/>\nIn 94, our neighbours converted to the cult of slaughter \u2013 lake Kivu became a tomb.<br \/>\nIn 96, genocide gave birth to civil war \u2013 Zaire swallowed the earth.<br \/>\nIn 98, we fled \u2013 the sky collapsed, the sun vanished.<br \/>\nIn 2000, Kisangani fell \u2013 along with 6000 artillery shells.<\/p>\n<h3><strong>Kingdom Come<\/strong><\/h3>\n<p>Church taught us to dance as if only Dieu was watching.<br \/>\nSpeaking in tongues was a prerequisite to membership \u2013<br \/>\nunless one was lucky enough to be given a translation.<br \/>\nRhythm was worship; the wrong steps were sacrilegious.<br \/>\nLosing focus was forgetting where one came from.<\/p>\n<p>I was young enough to believe we were related to all the men and women,<br \/>\nmama introduced to us as \u2018tonton ou tante,\u2019<br \/>\nwhen I learned that outsiders could be distinguished<br \/>\nby their offbeat movements and discordant claps.<br \/>\nFor us, belonging meant perfecting the two-step, the shoulder sway, and the pace of praise.<\/p>\n<p>Once mastered, movement gave way to voice.<br \/>\nVoice brought with it harmony and harmony purged our collective disbelief.<br \/>\nPrayer became tumultuous \u2013<br \/>\nthe sound of a dozen orators competing for the lord\u2019s ears would reach a crescendo.<br \/>\nThe pastor would exclaim \u2018Hallelujah,\u2019 to which the congregation always replied,<br \/>\nAmen.<\/p>\n<h3><strong>Pokea Sifa<\/strong><\/h3>\n<p>Mama refers to police and demons in the same sentences.<br \/>\nThe possessed patrol us for fear that we might exorcise their followers.<br \/>\nWe drown out police sirens with gospel music<br \/>\nand sing until the demons meet their quotas.<\/p>\n<p><em>\u201cPokea sifa<br \/>\n<\/em><em>Bwana pokea sifa<br \/>\n<\/em><em>Jina lako litukuzwe<br \/>\n<\/em><em>Bwana pokea sifa\u201d<\/em><\/p>\n<p>Mama calls evil a sickness of the spirit.<br \/>\nHer metaphysics don\u2019t leave room for meaningless murder.<br \/>\nSays Satan always attacks the family first \u2013 as if he were the reason she crossed the Atlantic.<br \/>\nTonight, we cleanse the projects with our voices.<\/p>\n<p><em>\u201cPokea sifa<br \/>\n<\/em><em>Bwana pokea sifa<br \/>\n<\/em><em>Jina lako litukuzwe<br \/>\n<\/em><em>Bwana pokea sifa\u201d<\/em><\/p>\n<p>Mama taught us to cope through harmonies and to break in silence.<br \/>\nWe learnt the logic of rhythm to the beat of doomsday.<br \/>\nWhen the apocalypse came we sang \u2013<br \/>\noffered our tears as libations and prepared for the worst.<\/p>\n<h3><strong>The Bourgeoisie of the Eleventh Hour<\/strong><\/h3>\n<p>Smoke-filled rooms and afro-letariats.<br \/>\nBefore the philosophy of self-medication took hold of our chain-gang,<br \/>\nwe coped by externalizing our dreams on football fields and in lecture halls.<br \/>\nThat was before the whistles lost their music, back when DC4 was gospel,<br \/>\nand The League seemed plausible.<br \/>\nBefore The Ivory Tower lost its warmth.<br \/>\nBefore emails, eviction notices, and missed payments<br \/>\nwarranted sending the least fortunate of the unfortunate<br \/>\nback to the hoods, ghettos, and caves from which they came.<\/p>\n<p>Those of us who remained, gathered, made homes of neglected places.<br \/>\n48 Union \u2013 a sinking house with a void for a basement \u2013 became a citadel.<br \/>\nA refuge for untouchables, a fortress so radical<br \/>\nthat the descendants of slaves, the colonized,<br \/>\nand the nearly ethnically cleansed could, in it, practice the full-range of their humanity.<br \/>\nThere we fostered our resistance, some through the poetics of taking space,<br \/>\nothers through more illicit means \u2013 though no less prophetic.<\/p>\n<p>When The Dream met Reality, I was a third year standing over a grave.<br \/>\nMy helmet now dusty,<br \/>\nor sweaty with the work of another man willing to pay for his fever dream with head trauma.<br \/>\nThe grave belonging to men and women, whom I had never met \u2013<br \/>\nyet I imagine I would recognize their faces.<br \/>\nI imagine I would recognize the chains that bound them to this land.<br \/>\nDifferent in weight than my own, but of the same manufacturer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>Monkey Training for a Circus<\/strong><br \/>\n Give the photographers no more<br \/>\nops like this denatured rhesus monkey<br \/>\nturned tragic clown. Jammed against<br \/>\na man-made wall, he would fade out<br \/>\nof his overexposed life,<br \/>\nbut a chain collars him to a bike;<br \/>\nneck and prop bound in motion\u2019s<br \/>\ntug\u2019o war&#8211;he\u2019s screwed<br \/>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 in black and white.\u00a0<\/p>\n","protected":false},"author":3,"featured_media":4364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-78","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/posts\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":12,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/posts\/78\/revisions"}],"predecessor-version":[{"id":4382,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/posts\/78\/revisions\/4382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/media\/4364"}],"wp:attachment":[{"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/media?parent=78"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/categories?post=78"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mtls.ca\/issue25\/wp-json\/wp\/v2\/tags?post=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}